Hanging Gardens (Mahler 4 with Jacaranda Music)
Jacaranda Music presents Book of the Hanging Gardens by Arnold Schoenberg, and Symphony No. 4 by Gustav Mahler.
Mahler Symphony No. 4
Mark Hilt, conductor and Julia Metzler, soprano
Jacaranda Music presents Book of the Hanging Gardens by Arnold Schoenberg, and Symphony No. 4 by Gustav Mahler.
Mahler Symphony No. 4
Mark Hilt, conductor and Julia Metzler, soprano
Imsang Yoon, conductor
Burcu Hanci, soprano
Julia Metzler, mezzo-soprano
Wi Young Oh, tenor
Burak Bilgili, bass
LAKMA extends a warm invitation to join us for our upcoming concert “Korea & Türkiye Unified in Friendship and Harmony” at the Walt Disney Concert Hall on August 5.
Artists
Los Angeles Philharmonic
Gustavo Dudamel, conductor
Leah Hawkins, soprano
Rihab Chaieb, mezzo-soprano
Mario Chang, tenor
Ryan Speedo Green, bass-baritone
Los Angeles Master Chorale
Grant Gershon, Artistic Director
Jenny Wong, Associate Artistic Director
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
Renowned leader of Bach Collegium San Diego Ruben Valenzuela directs Tesserae Baroque in a program of popular pieces performed in Mexico City Cathedral during the Baroque period. The performance will include Victoria’s Missa ‘Ave regina coelorum’ — a piece so popular in Mexico City that the partbooks had to be recopied — in addition to works by Franco, Capillas, and Guerrero.
Click to get tickets
$35/$25/$15
Free admission for children and members of the Music Guild.
Masks or proof of vaccination are currently not required for indoor events in Los Angeles County. For those who wish to be seated in an area with additional spacing and a mask requirement, please reach out to alex@tesseraebaroque.org.
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
Sung in Italian with English subtitles
Running time: approximately three hours and 15 minutes, including two intermissions
An LA Opera co-production with Opéra de Monte-Carlo and Teatro Regio di Parma
GABRIEL FAURÉ: Requiem in D Minor
REENA ESMAIL: Malhaar: A Requiem for Water (World Premiere)
Grant Gershon, conductor
Jenny Wong, conductor
62 singers, soloists, tabla, percussion, chamber orchestra
Reena Esmail, our Swan Family Artist-in-Residence, combines Indian and Western classical music traditions to create rich tapestries of sound. We’re delighted to premiere Reena’s latest work highlighting both Hindustani and Western classical voices. This new work will be paired with Fauré’s Requiem in D minor, with its elegant simplicity, offers comfort to the living and a very human feeling of faith in eternal rest.
RUN TIME: 105 minutes with intermission
Come celebrate the beginning of spring as Pasadena Pro Musica presents Haydn’s Lord Nelson Mass
This Mass #11 in D-minor, also called Missa in Angustiis (Mass for troubled times), is one of the great masterworks of the renowned Franz Joseph Haydn. It will be presented on Sunday, March 12 at 4:00 p.m. at the Neighborhood Church, 301 North Orange Grove Blvd., Pasadena, CA 91103. The composition highlights the soloists and chorus while also allowing PPM’s accompanying chamber orchestra to play a prominent role. Haydn wrote this Mass during the turmoil of war and the beautiful, soaring melodies continue to bring peace of mind during troubled times. Please join us! Tickets are available from our website at pasadenapromusica.org/concerts.
Scott Lehmkuhl, conductor
Tamara Brevard, soprano
Julia Metzler, mezzo-soprano
One of Mahler’s most massive creations, his Third Symphony vies to express the whole world, as the composer expected all symphonies to do. Long-time Mahler champion Zubin Mehta describes the Third—a piece close to his heart—as containing all of nature (“you can smell the Alpine flowers”), complete with nature’s contradictions of endearing beauty and stark brutality. Mehta stirs the vocal and instrumental ensembles into expressions of summer bursting forth, followed by profound communications from the flowers, the forest animals, humankind, and the angels, all capped by a monumental movement conveying Love itself.
One of Mahler’s most massive creations, his Third Symphony vies to express the whole world, as the composer expected all symphonies to do. Long-time Mahler champion Zubin Mehta describes the Third—a piece close to his heart—as containing all of nature (“you can smell the Alpine flowers”), complete with nature’s contradictions of endearing beauty and stark brutality. Mehta stirs the vocal and instrumental ensembles into expressions of summer bursting forth, followed by profound communications from the flowers, the forest animals, humankind, and the angels, all capped by a monumental movement conveying Love itself.
One of Mahler’s most massive creations, his Third Symphony vies to express the whole world, as the composer expected all symphonies to do. Long-time Mahler champion Zubin Mehta describes the Third—a piece close to his heart—as containing all of nature (“you can smell the Alpine flowers”), complete with nature’s contradictions of endearing beauty and stark brutality. Mehta stirs the vocal and instrumental ensembles into expressions of summer bursting forth, followed by profound communications from the flowers, the forest animals, humankind, and the angels, all capped by a monumental movement conveying Love itself.
One of Mahler’s most massive creations, his Third Symphony vies to express the whole world, as the composer expected all symphonies to do. Long-time Mahler champion Zubin Mehta describes the Third—a piece close to his heart—as containing all of nature (“you can smell the Alpine flowers”), complete with nature’s contradictions of endearing beauty and stark brutality. Mehta stirs the vocal and instrumental ensembles into expressions of summer bursting forth, followed by profound communications from the flowers, the forest animals, humankind, and the angels, all capped by a monumental movement conveying Love itself.
“All my life, I have taken pleasure in the differing moods and music of gladly chiming and mournfully tolling bells,” Rachmaninoff said. The Bells was inspired in large part by the poem of the same name by Edgar Allen Poe. Each movement evokes a different flavor of bells connected to life stages and the passing of time—from sleigh bells to wedding chimes to a mournful funereal peal. Dudamel leads the LA Phil and the Los Angeles Master Chorale in this gorgeous and haunting choral symphony.
“All my life, I have taken pleasure in the differing moods and music of gladly chiming and mournfully tolling bells,” Rachmaninoff said. The Bells was inspired in large part by the poem of the same name by Edgar Allen Poe. Each movement evokes a different flavor of bells connected to life stages and the passing of time—from sleigh bells to wedding chimes to a mournful funereal peal. Dudamel leads the LA Phil and the Los Angeles Master Chorale in this gorgeous and haunting choral symphony.
Named after a Robert Frost poem, the bright and brilliant star - seemingly out of reach, yet just within grasp - is the beacon of light guiding the music featured in this concert. A person, place, dream, or literal star serves as a fixed point to which we project our imagination, ideals, and feeling of home.
Featuring two world premieres, VOYAGER written by Matthew Brown and Alas de noche by Diana Syrse, along with extrodinary pieces from classic Brahms to contemporary Runestad, this program is about what inspires us and to what we aspire.
Grant Gershon, conductor
62 singers, piano, and percussion
JOHANNES BRAHMS O schöne Nacht
ARVO PÄRT Morning Star
ROBERT SCHUMANN An die Sterne
RANDALL THOMPSON Choose Something Like a Star
IRYNA ALEKSIYCHUK Holy is the Lord of Hosts
MEREDITH MONK Earth Seen from Above
MATTHEW BROWN VOYAGER (World Premiere Commission)
DIANA SYRSE Alas de Noche (World Premiere Commission)
MARQUES L.A. GARRETT My Heart Be Brave
GEORGIA STITT The Promise of Light
MICHAEL ABELS The Open Hand
RICKY IAN GORDON Joy
NILO ALCALA I Am Here with You Always
JAKE RUNESTAD Spirited Light
Dream with Me
Let the music inspire you in this heartwarming Valentine’s program featuring works by Rachmaninoff, Zemlinsky, Bernstein, Massenet, and Beethoven. Los Angeles-based soprano Julia Metzler joins Bernadene Blaha on piano and and Roger Wilkie on violin — and resident virtuoso Antonio Lysy himself rounds out the ensemble on cello for a morning full of sweeping romance.
Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Los Angeles. Get your tickets now to discover Holiday-inspired music at Immanuel Presbyterian Church under the gentle glow of candlelight.
Selections from “The Nutcracker” – Peter Ilyich Tchaikovsky
Greensleeves – Traditional
Good King Wenceslas – John Mason Neale
Santa Baby – Eartha Kitt 🎤
Winter Wonderland – Richard Himber 🎤
Have Yourself a Merry Little Christmas – Judy Garland 🎤
Silent Night – Franz Xaver Gruber 🎤
* Pieces with 🎤 to be accompanied by a vocalist
String quartet – Orchid Quartet
Pianist – Michael Sobie
Soprano vocalist – Julia Metzler
Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Los Angeles. Get your tickets now to discover Holiday-inspired music at Immanuel Presbyterian Church under the gentle glow of candlelight.
Selections from “The Nutcracker” – Peter Ilyich Tchaikovsky
Greensleeves – Traditional
Good King Wenceslas – John Mason Neale
Santa Baby – Eartha Kitt 🎤
Winter Wonderland – Richard Himber 🎤
Have Yourself a Merry Little Christmas – Judy Garland 🎤
Silent Night – Franz Xaver Gruber 🎤
* Pieces with 🎤 to be accompanied by a vocalist
String quartet – Orchid Quartet
Pianist – Michael Sobie
Soprano vocalist – Julia Metzler
Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Los Angeles. Get your tickets now to discover Holiday-inspired music at Immanuel Presbyterian Church under the gentle glow of candlelight.
Selections from “The Nutcracker” – Peter Ilyich Tchaikovsky
Greensleeves – Traditional
Good King Wenceslas – John Mason Neale
Santa Baby – Eartha Kitt 🎤
Winter Wonderland – Richard Himber 🎤
Have Yourself a Merry Little Christmas – Judy Garland 🎤
Silent Night – Franz Xaver Gruber 🎤
* Pieces with 🎤 to be accompanied by a vocalist
String quartet – Orchid Quartet
Pianist – Michael Sobie
Soprano vocalist – Julia Metzler
Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Los Angeles. Get your tickets now to discover Holiday-inspired music at Immanuel Presbyterian Church under the gentle glow of candlelight.
Selections from “The Nutcracker” – Peter Ilyich Tchaikovsky
Greensleeves – Traditional
Good King Wenceslas – John Mason Neale
Santa Baby – Eartha Kitt 🎤
Winter Wonderland – Richard Himber 🎤
Have Yourself a Merry Little Christmas – Judy Garland 🎤
Silent Night – Franz Xaver Gruber 🎤
* Pieces with 🎤 to be accompanied by a vocalist
String quartet – Orchid Quartet
Pianist – Michael Sobie
Soprano vocalist – Julia Metzler
Grant Gershon, conductor
Jonathan Antoine, tenor
62 singers, piano, organ, percussion
Festival of Carols is back... with a twist. For the very first time, we are including a special guest artist to help us usher in the holiday season with traditional Christmas carols and festive folksongs from around the world. Jonathan Antoine, who earned international acclaim after his appearance on Britain's Got Talent, with what became the world's most viewed television audition of any performer in history, brings a quality, feeling and authenticity into his performances that reaches out and draws you into the music. It is a family-friendly concert and we welcome children six years and above.
RUN TIME: 120 minutes with intermission
Grant Gershon, conductor
Jonathan Antoine, tenor
62 singers, piano, organ, percussion
Festival of Carols is back... with a twist. For the very first time, we are including a special guest artist to help us usher in the holiday season with traditional Christmas carols and festive folksongs from around the world. Jonathan Antoine, who earned international acclaim after his appearance on Britain's Got Talent, with what became the world's most viewed television audition of any performer in history, brings a quality, feeling and authenticity into his performances that reaches out and draws you into the music. It is a family-friendly concert and we welcome children six years and above.
RUN TIME: 120 minutes with intermission
Pre-Show Lecture - one hour before the performance
Learn more about the opera and its composer with Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and a LA Opera Connects affiliated scholar. Pre-show talks are complimentary for all ticket holders and held on the second floor of the Dorothy Chandler Pavilion. (Note: there is no pre-show talk on September 17.)
Sung in Italian with English subtitles
The running time is approximately three hours and 15 minutes, including two intermissions.
This production uses lightning and gunshot effects.
A co-production with the Metropolitan Opera
Please note: This production contains adult subject matter and depictions of violence and drug use.
September 17 – October 9, 2022
Production new to Los Angeles
At the Dorothy Chandler Pavilion
Pre-Show Lecture - one hour before the performance
Learn more about the opera and its composer with Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and a LA Opera Connects affiliated scholar. Pre-show talks are complimentary for all ticket holders and held on the second floor of the Dorothy Chandler Pavilion. (Note: there is no pre-show talk on September 17.)
Sung in Italian with English subtitles
The running time is approximately three hours and 15 minutes, including two intermissions.
This production uses lightning and gunshot effects.
A co-production with the Metropolitan Opera
Please note: This production contains adult subject matter and depictions of violence and drug use.
September 17 – October 9, 2022
Production new to Los Angeles
At the Dorothy Chandler Pavilion
Pre-Show Lecture - one hour before the performance
Learn more about the opera and its composer with Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and a LA Opera Connects affiliated scholar. Pre-show talks are complimentary for all ticket holders and held on the second floor of the Dorothy Chandler Pavilion. (Note: there is no pre-show talk on September 17.)
Sung in Italian with English subtitles
The running time is approximately three hours and 15 minutes, including two intermissions.
This production uses lightning and gunshot effects.
A co-production with the Metropolitan Opera
Please note: This production contains adult subject matter and depictions of violence and drug use.
September 17 – October 9, 2022
Production new to Los Angeles
At the Dorothy Chandler Pavilion
Pre-Show Lecture - one hour before the performance
Learn more about the opera and its composer with Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and a LA Opera Connects affiliated scholar. Pre-show talks are complimentary for all ticket holders and held on the second floor of the Dorothy Chandler Pavilion. (Note: there is no pre-show talk on September 17.)
Sung in Italian with English subtitles
The running time is approximately three hours and 15 minutes, including two intermissions.
This production uses lightning and gunshot effects.
A co-production with the Metropolitan Opera
Please note: This production contains adult subject matter and depictions of violence and drug use.
September 17 – October 9, 2022
Production new to Los Angeles
At the Dorothy Chandler Pavilion